The collection includes original prison IDs, the gray sweatpants and worn-out Nikes he wore while exiting prison, and three original artworks created during his incarceration. It also features intimate personal effects from before his arrest, including his camping sleeping bag, backpack, and beloved hand drum. Each item will be accompanied by interpretive quotes from Ulbricht and set against a custom-built wall graphic reflecting the central theme of creative and personal sovereignty.
This emotionally charged presentation invites reflection on incarceration, censorship, autonomy, and the philosophical cost of freedom in the digital age. Presented with museum-level care and narrative intent, it will serve as a historic focal point of the 2025 gallery. A ticketed Ross Ulbricht meet-and-greet luncheon is planned for May 29, coinciding with the final day of the exhibition and the conclusion of the auction.
The broader gallery will showcase over 60 works, including sculptures, large-scale murals, and salon-style paintings priced between $10,000 and $45,000. Two towering 28-foot walls, emblazoned with “THE ART OF FREEDOM” in massive typographic relief, will anchor the space and visually reinforce the central theme. The exhibition blends first-time contributors with long-time gallery participants, many of whom have shown and sold work through the program for several consecutive years.
New for the 2025 exhibit is the Ordinals Dome, a curved LED installation highlighting digitally inscribed works on the Bitcoin blockchain. Curated in collaboration with the Inscribing Vegas satellite event, the Ordinals Dome will showcase 6–9 rare and highly sought-after works from leading artists in the space, presented as part of an exclusive auction. Additional Ordinal-inspired digital art will be featured throughout the dome’s immersive LED installation, offering a broader exploration of on-chain creativity beyond the auction itself. This activation places Bitcoin into direct conversation with contemporary debates around digital provenance, on-chain art, and inscription-based media.
To further support contributing artists, BTC Inc. has committed to a dedicated art acquisition fund, which last year supported over $50,000 in direct purchases. This model of sustainable patronage ensures creators benefit from institutional support while maintaining full ownership of their work.
“Bitcoin isn’t just building financial infrastructure—it’s building cultural infrastructure,” said David Bailey, CEO of BTC Inc. “Artists are among the first to understand the power of permanence, scarcity, and self-sovereignty. This gallery is about showing how those values play out visually and emotionally around the world.”
As part of the gallery’s interactive elements, a large-scale colorable mural by Los Angeles artist Brady Smith will invite attendees to contribute to a collaborative public artwork—reinforcing themes of openness, participation, and creative freedom.