Beginning January 14, 2026, the Louvre Museum in Paris will implement a substantial increase in admission fees for visitors from outside the European Economic Area (EEA). The ticket price for non-EU travelers will jump from €22 to €32 (about $25 to $37), marking a 45% hike. This adjustment is part of a broader financial strategy aimed at modernizing the museum’s aging facilities and addressing security weaknesses, which were brought to light following a recent jewelry theft valued at $102 million.
This change will particularly impact tourists from countries such as the United States, United Kingdom, and China. The decision comes in the wake of a critical review of the museum’s operations after the high-profile heist in October, which exposed outdated security measures and structural issues within the institution.
The increased revenue—estimated at €15–20 million annually—will be dedicated to the ambitious “Louvre New Renaissance” project, a modernization plan expected to require up to €800 million by 2031. The initiative is designed to upgrade the museum’s infrastructure, alleviate overcrowding, and establish a special gallery for the Mona Lisa. Laurence des Cars, the museum’s director, has stressed that renovations dating back to the 1980s are now outdated, and urgent steps are already being taken to address the museum’s vulnerabilities.
This move reflects a wider pattern both in France and internationally, where cultural sites are increasingly charging higher fees to foreign tourists. Other French landmarks, such as the Palace of Versailles and Château de Chambord, are considering similar measures. In the United States, the National Park Service has introduced new charges for international visitors at destinations like Yellowstone and the Grand Canyon. While some critics fear these policies may discourage tourism, supporters argue that non-EU travelers—who made up 77% of the Louvre’s 8.7 million visitors in 2024—are generally willing to pay more for such experiences.
The urgency for these upgrades was highlighted by the recent theft, where criminals used power tools to break into the Apollo Gallery and escaped on scooters. Four individuals have since been charged with organized theft and conspiracy, but the incident has intensified scrutiny of the museum’s security. Additionally, the Louvre has had to close a gallery due to structural issues, underscoring the complexities of maintaining a historic 12th-century building as a leading cultural destination.
France’s Culture Minister, Rachida Dati, who advocated for the price increase earlier this year, frames the policy as part of a national initiative to safeguard heritage sites. Similar discussions about “tourist taxes” are underway in the UK and US, signaling a global shift toward leveraging international tourism to fund the upkeep of cultural landmarks. However, the Louvre faces the challenge of generating sufficient funds without deterring the international visitors who are vital to its worldwide reputation.